Twelfth Night Analysis Essay Example For Students

Twelfth Night Analysis Essay William Shakespeares Twelfth Night is set in a province called Illyria on the coast of Italy. The play is about a brother and sister, Sebastian and Viola, who are separated after a shipwreck, and both think the other has drowned. The play tells the tale of how they were eventually reunited. There are a wide range of characters in the play; ranging from Malvolio, Olivias steward, who is very self-centred with no sense of humour to Sir Toby who is always out enjoying himself and really just lives a life of pleasure. A caring character is Viola; she is not ne to upset other people. Olivia receives a lot of sympathy because she is mourning for her brother. Orsino has a comfortable but useless existence. He is rich but sits moping about love all day. All of these characters are different and each have their faults such as Sir Toby may be criticised for taking a lot of Sir Andrews money whereas Violas fault is that she is too nice, never wanting to cause anyone any harm. This is a fault be cause it may hold her back from doing a something that she should. We will write a custom essay on Twelfth Night Analysis specifically for you for only $16.38 $13.9/page Order now I think that Shakespeare has given the characters faults to ake them more interesting and realistic. Malvolio tries to impress Olivia but it does not work. Although she respects him she does not favour him, as he thinks, for having a good job. He is good at his job but should enjoy himself instead of thinking himself all the time. This is one thing that makes him an unlikeable character also he considers himself to be superior to other characters but no one really likes him and he does not know what they really think of him. Although he mostly cares about himself some of his love goes to Olivia. I think that he wants to be romantic but has a hard time expressing his feelings or does not want people to know what hes really like. His character does not really develop throughout the play, and I disliked him as much at the end as I did at the start of the play. Sir Toby is a likeable character because he does not care what anyone thinks of him, if they do not like him, they will just have to put up with it. People think he should be a respectable gentleman and act his age but he finds acting like everyone else stuffy and claustrophobic. Sir Toby is certainly not a model gentleman but when he drinks his behaviour is even worse. He does not have a lot of money. He may have had more but living a life of pleasure has changed that. He is criticised for living a life of pleasure but at least, unlike some other characters, he is genuine, he does not try to be anything he is not, and this is one of the reasons why Maria loves him. Although Sir Toby is a likeable Character his practical jokes do tend to get tiresome as the play wears on. Olivia, Sir Tobys niece, is not ike him at all. She is a well off countess who is respectable and acts the way she should. Olivia receives a lot of sympathy because she has lost her father and her brother, but Sir Toby does not think that her grieving is genuine. Olivia is quite a likeable character but I think that she is taking it a bit too far, saying she will never love another man again. It is likely that she enjoys all of the attention and sympathy that she is getting. Viola, the sister of Sebastian, has a lot going for her; she is intelligent, tactful, honest nd well educated and able to deal with people better than the other characters. She is a caring character who likes to get things done, she isnt one to just sit back and do nothing or let others do things for her. Being caring is one of Violas main features. She does not like to upset or hurt people and she would not mock people or make fun of them behind their backs. She carried out her commands and even though she was put in an awkward position she did not refuse for fear of upsetting someone. Some of Violas lines are he most poetic of the entire play and therefore, perhaps, are the ones which will be remembered the most. Duke Orsino does not seem to have much character or personality. .u4bea9f9b2829dc9e8b39faae14048a5b , .u4bea9f9b2829dc9e8b39faae14048a5b .postImageUrl , .u4bea9f9b2829dc9e8b39faae14048a5b .centered-text-area { min-height: 80px; position: relative; } .u4bea9f9b2829dc9e8b39faae14048a5b , .u4bea9f9b2829dc9e8b39faae14048a5b:hover , .u4bea9f9b2829dc9e8b39faae14048a5b:visited , .u4bea9f9b2829dc9e8b39faae14048a5b:active { border:0!important; } .u4bea9f9b2829dc9e8b39faae14048a5b .clearfix:after { content: ""; display: table; clear: both; } .u4bea9f9b2829dc9e8b39faae14048a5b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4bea9f9b2829dc9e8b39faae14048a5b:active , .u4bea9f9b2829dc9e8b39faae14048a5b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4bea9f9b2829dc9e8b39faae14048a5b .centered-text-area { width: 100%; position: relative ; } .u4bea9f9b2829dc9e8b39faae14048a5b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4bea9f9b2829dc9e8b39faae14048a5b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4bea9f9b2829dc9e8b39faae14048a5b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4bea9f9b2829dc9e8b39faae14048a5b:hover .ctaButton { background-color: #34495E!important; } .u4bea9f9b2829dc9e8b39faae14048a5b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4bea9f9b2829dc9e8b39faae14048a5b .u4bea9f9b2829dc9e8b39faae14048a5b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4bea9f9b2829dc9e8b39faae14048a5b:after { content: ""; display: block; clear: both; } READ: A Comparison Contrast of A Brave New World and 1984 EssayHe seems not to do very much, he has an almost useless existence; he just sits about moping about love. He is rich and has a comfortable existence with lots of servants. He seems young and immature, and does not have the same wisdom or knowledge as Viola and Sir Toby do. He is not an imposing figure, but it is possible that there is more to him than meets the eye. Orsino has ried with Maria but has not succeeded because she is in love with Sir Toby. It is too hard to form an opinion of him because he isnt a very noticeable character. I think that Viola emerges with credit at the end of the play because her only fault is that she is too nice so she could not be criticised for anything. Two characters who I think come out of the play badly are Sir Toby and Malvolio. Both of these characters can be annoying at times, and although Toby may have started off well he does end up quite boring, whereas Malvolio, on the other hand, was never a likeable character. Twelfth Night Analysis Essay Example For Students Twelfth Night Analysis Essay of Othello as a tragic hero and his correspondence to the canons for tragic protagonists. Othello and Aristotles Definition of Tragedy To decide how well Othello fits into the mold of a tragic hero, one needs to accept in the first place a working definition of tragedy and tragic hero. The theorists exploring tragedy almost universally draw upon the classic account of this play variety in Aristotles Poetics. The prominent Greek philosopher defined a heroic tragedy in the following way: A truly tragic plot is a disastrous reversal of fortune, coming, through his own fault, to a man of essentially noble quality, accompanied by the discovery that some other person or persons are not what they had seemedà ¢Ã¢â€š ¬Ã‚ ¦ test of a great tragedy is its power to cleanse the beholders emotions through the pity and fear which it awakens in them Othello: the tragic hero. This cleansing that is realised through pity and fear was termed catharsis and is an indispensable feature of any tragedy. We will write a custom essay on Twelfth Night Analysis specifically for you for only $16.38 $13.9/page Order now Besides, a tragedy needs a character of noble quality, guilty of some kind of fault that brings about tragic events. A tragedy also has to present to the reader a plot possessing some logical unity and completion and the one that contains engaging action. Aristotle also specified that a tragedy has to include appropriate linguistic devices that serve to bring out its meaning Time and the tragic hero. Most critics stopped short of saying that Shakespeare was aware of Aristotelian theories and took them as a guide for writing Time and the tragic hero; Djordjevic 2003. However, his tragedies reveal strict adherence to Aristotles theory, and Othello is no exception. Whether this correspondence was caused by a thorough study of Aristotles works or through an accidental coincidence of thoughts of two geniuses of the worlds culture remains a matter for guessing. Thus, the play definitely possesses a noble character, Othello. The mans nobility of action contrasts with his dark-colored appearance, unusual for Europe of that time. Othello proved himself to be a noble warrior deserving of the highest respect. He never acts dishonestly or cowardly throughout the play; in fact, nobility is one of the most important features of his character. Yet he fails through his own fault, and this fault is his credibility. An essentially good feature, it is taken to extremes in Othello, which causes his demise. He never stoops to questioning Desdemona. He is so absorbed in what Iago tells him that he never questions the words of the villain. At the time when the vicious Iago weaves his web of conspiracy, gullible Othello greets him with the words: I know thou art full of love and honesty. Therefore, Othello is not with bitterness, confessing that his ruin was brought about by his own failure: O cursed, cursed slave! Whip me, ye devils, from the possession of the heavenly sight! Blow me about the winds! roast me in sulphur! O Desdemona, Desdemona Dead! O! O! O! Othello as a play also fits Aristotle description as it contains logical unity and coherence that is a necessary component of tragedy. The play starts from the moment of idyllic honeymooning between Othello and Desdemona and follows Iagos treacherous plan from inception to its tragic success. Othellos sufferings in youth and the story of his courtship stay behind the scene, but in Othellos account they form an logical background for the action observed by the viewer. Othello evokes in the readers both pity and fear. They are pressured to feel sorry for the man who so sadly loses his wife due to a conspiracy. The pity for Othello even exceeds the feeling for Desdemona who is merely a victim; she does not have to suffer the pangs of conscience for what she has done. At the same time pity is not the only feeling Othello evokes in the readers or viewers. He also raises fear as a man capable of such a savage revenge, killing a wife on the spot for the alleged adultery. It seems that even at the time of more stringent morality such as mediaeval Italy not every husband would go that far as to kill the adulteress. This is even less likely in Elizabethan England, and so had to seem even wilder to Shakespeares contemporaries. Othellos reaction demonstrates that he was a man of extremely hot temper and strong emotions, capable of venting his sentiments in a very violent way. Othello: A Stock Comic Character? .u1e32c7f3a178f5673b35f05a7039e9bd , .u1e32c7f3a178f5673b35f05a7039e9bd .postImageUrl , .u1e32c7f3a178f5673b35f05a7039e9bd .centered-text-area { min-height: 80px; position: relative; } .u1e32c7f3a178f5673b35f05a7039e9bd , .u1e32c7f3a178f5673b35f05a7039e9bd:hover , .u1e32c7f3a178f5673b35f05a7039e9bd:visited , .u1e32c7f3a178f5673b35f05a7039e9bd:active { border:0!important; } .u1e32c7f3a178f5673b35f05a7039e9bd .clearfix:after { content: ""; display: table; clear: both; } .u1e32c7f3a178f5673b35f05a7039e9bd { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1e32c7f3a178f5673b35f05a7039e9bd:active , .u1e32c7f3a178f5673b35f05a7039e9bd:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1e32c7f3a178f5673b35f05a7039e9bd .centered-text-area { width: 100%; position: relative ; } .u1e32c7f3a178f5673b35f05a7039e9bd .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1e32c7f3a178f5673b35f05a7039e9bd .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1e32c7f3a178f5673b35f05a7039e9bd .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1e32c7f3a178f5673b35f05a7039e9bd:hover .ctaButton { background-color: #34495E!important; } .u1e32c7f3a178f5673b35f05a7039e9bd .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1e32c7f3a178f5673b35f05a7039e9bd .u1e32c7f3a178f5673b35f05a7039e9bd-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1e32c7f3a178f5673b35f05a7039e9bd:after { content: ""; display: block; clear: both; } READ: The Night Of The Hunter: The Preacher EssayAlthough the standard view is to see Othello as a purely tragic character, other, mopre unusual interpretations are possible. Igor Djordjevic in his article Goodnight Desdemona Good Morning Juliet: From Shakespearean Tragedy to Postmodern Satyr Play points out an interesting aspect of Othellos character. In his view, Othello could have been a comic fellow instead, and he is inverted into a tragic hero by the playwright. Othello is a character typical of comedies; a husband whose wife is much younger and more beautiful, and thus raises fears of being deceived. However, Othello does not fit into the regular model of a husband whose worries are to be derided. At the outset of the play he appears as a lover who must obtain the legitimization of his courtship of Desdemona, and he must overcome the multiple obstacles of the senex, racial prejudice, and religious charges of witchcraft Djordjevic 2003. It is his painful pursuit of Desdemona whom he had to steal to be able to marry her that wins him the hearts of the reader. Shakespeare depicts the trials of Othello, a victim to racial bias, in such a way that the reader begins to sympathise with the late love of this great man, the swan song of his life that is already to some degree tragic. Seeing him lose what he worked so hard to attain endears him to the reader even more. Othello evokes pity in the reader partly due to the fact that he experienced so many hardships in life that the skilful narrative of these hardships eventually won him Desdemonas heart: She loved me for the dangers I had passed, And I loved her that she did pity them. The playwright tries here to instil in the reader sympathy with the old soldier who fought desperately for his love going through many hardships. The listener responds by saying I think this tale would win my daughter too, and this approval symbolically à ¢Ã¢â€š ¬Ã‚ ¦Ãƒ ¢Ã¢â€š ¬Ã‚ ¦ upon him the approval and affection of the fictional worlds power structures Djordjevic 2003. Is Othello Real? Now we will turn in our discussion to a possible objection to the fact that Othello is a tragic hero. Some criticism of his belonging to this category comes from the speculation concerning the realism and probability conveyed by Othello which suggests that because of the seeming unlikelihood of the events in the play, it is not characteristic of a tragedy Sharina. Indeed, the plot develops in a rather speedy manner and the playwright does not elaborate on Othellos or other characters. Even so, the action seems unrealistic only at first glance. First, it is a mode of the artist to show the public the unusual and the unexpected basing these things on the knowledge of everyday things that are familiar to everybody. Shakespeare here makes his audience see jealousy in a new light, and it is no wonder that the name of Othello has come to be a generic name for a jealous husband. It is positive that reading through the story had a deterrent effect on the behaviour of many violent husbands who could have stopped short of beating their wives to death in a family quarrel provoked by suspicions of infidelity. And is such a scenario an unlikely one? Women die in family battles even in most developed nations of the world today, and the examination of domestic violence statistics may show that wife murder is unfortunately still a prevalent phenomenon even after centuries of struggle for gender equality and reduction of crime rate. If we consider that things that are unusual in our own environment may unfortunately be prevalent in the lives of other social groups, we will see that events in Othello are not that unusual. The fact that Othello is easily persuaded to murder his wife by Iago should not be regarded as totally unrealistic either. This is what Aristotle would describe as hamartia à ¢Ã¢â€š ¬Ã¢â‚¬Å" the characters tragic flaw. For Othello, it is his naivetÃÆ' © and credulousness. His devotion comes to be exploited by one of the most ingenious villains in the history of literature. Iagos motives appear clear. Indeed, so many evil actions are committed every day due to jealousness that Iagos behaviour should not be surprising. In this character, viciousness is combined with deep psychological insight and potential for intrigue that are worthy of a better application. To count as Othellos close friend and ally, Iago had to be an outstanding player skilfully performing the part of the devoted ensign. He manipulates Othello to bring about his ruin in a way in which Othello would never be able to manipulate him. The events in the play may lead the reader to question why Othello is so ready to trust Iago and unwilling to trust his beloved wife Desdemona, a fact that generates the protagonists tragic flaw. .u9596c343747ab067670ec7e2795c610c , .u9596c343747ab067670ec7e2795c610c .postImageUrl , .u9596c343747ab067670ec7e2795c610c .centered-text-area { min-height: 80px; position: relative; } .u9596c343747ab067670ec7e2795c610c , .u9596c343747ab067670ec7e2795c610c:hover , .u9596c343747ab067670ec7e2795c610c:visited , .u9596c343747ab067670ec7e2795c610c:active { border:0!important; } .u9596c343747ab067670ec7e2795c610c .clearfix:after { content: ""; display: table; clear: both; } .u9596c343747ab067670ec7e2795c610c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9596c343747ab067670ec7e2795c610c:active , .u9596c343747ab067670ec7e2795c610c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9596c343747ab067670ec7e2795c610c .centered-text-area { width: 100%; position: relative ; } .u9596c343747ab067670ec7e2795c610c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9596c343747ab067670ec7e2795c610c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9596c343747ab067670ec7e2795c610c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9596c343747ab067670ec7e2795c610c:hover .ctaButton { background-color: #34495E!important; } .u9596c343747ab067670ec7e2795c610c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9596c343747ab067670ec7e2795c610c .u9596c343747ab067670ec7e2795c610c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9596c343747ab067670ec7e2795c610c:after { content: ""; display: block; clear: both; } READ: How To Cite A Short Story In An EssayThere several possible explanations for this apparently surprising behavior. First, Othello has come to rely on Iago in numerous mutual adventures where both risked their lives. The time itself spent together justifies the trust Othello puts in Iago. Perhaps to that point he had never come across the betrayal of a close male friend, except for Cassio, but there the conflict, in Iagos suggestion, was caused by the woman. Second, Othellos relationship with Desdemona arrived at the time when he probably had lost hope for a happy family life. She appeared as a star on the horizon to illuminate his life, and all the time he probably doubted that he could be a proper match for the beautiful girl she was. The idea that she is betraying him with someone else, someone younger, more handsome and closer to her in terms of background, social rank and status, falls on ready ears. This is something Othello had feared to hear for a long time, in spite of the seemingly idyllic love between him and his wife. Thus, Othellos actions seem closer and more understandable to us than seems at first glance. And it is action, not characterization that makes a tragedy, according to Aristotle Sharina. That is why he is a real tragic character. Comparison to Other Tragic Heroes Othello is similar to and different from other characters in other plays by Shakespeare. Of all the characters, he probably falls most of all due to his own tragic fault, and Aristotles hamartia is most evident in this case. Other characters such as King Lear, Hamlet, Macbeth, Romeo, have to fight evil in a more open form. Hamlet, for instance, has to deal with the betrayal of his father-in-law and mother. True, he has to obtain proof of their betrayal, which is the reason he suspends the revenge desired by his father. But there is hardly a reason to blame Hamlet from the point of view of modern liberal criminal justice that places emphasis on preserving the rights of the suspected. Hamlet acts on the evidence he has, and his indecisiveness is the direct consequence of his responsible attitude towards revenge. King Lear, in his turn, falls victim to his paternal feelings. His misfortune was brought about by his extreme trust in his daughters, but few readers would expect a father to act in distrust of ones children. Mothers and fathers forsaking all they have for their children are praised and respected in our society that highly appreciates such behavior. The fact that daughters turned out to lack gratitude is an example of undisguised evil that can, as many people think, happen to the best of parents. These two characters are definitely not villains; rather, they fall prey to evil people eager to take advantage of some traits of their characters that under other circumstances are most worthy. Strictly speaking, their actions cannot even be named mistakes from the moral, not strategic, point of view. Macbeth, on the other hand, is a straightforward villain, and his ruin is the result of his own treacherous acts. He yields to ambition, killing Duncan, to become King of Scotland. A virtuous reader has little ground to associate oneself with this character and simply observes a tale of how a villain is brought to ruin through his deeds. Othello, on the other hand, is essentially a moral person who fails through making a terrible mistake. Conclusion Thus, Othello is a bona fide tragic hero, even if he is not a man of unusual stature or appearance. He possesses all the vital traits of the tragic character, noble qualities, pure character, and a tragic fault, his naivetÃÆ' © that makes him vulnerable to the intrigues of his antagonist, Iago. A staple comic character, a deceived husband, he is turned into a really tragic personage by the sympathy with which Shakespeare describes his misfortune. His tribulations, although somewhat unrealistic at first glance, are in line with the everyday happenings even in contemporary world. Othello stands out from other tragic heroes, because he falls through his own flaw and yet his flaw is so minor that is incomparable with the misfortunes he suffers.